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Dear Ms. Dearie

Dawn Clement

Dear Ms. Dearie

Format: CD
Label: Origin Records
UPC: 0805558295126
Catnr: ORIGIN 82951
Release date: 18 September 2026
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1 CD
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Label
Origin Records
UPC
0805558295126
Catalogue number
ORIGIN 82951
Release date
18 September 2026
Album
Artist(s)
Composer(s)
EN

About the album

With Dear Ms. Dearie, pianist and vocalist Dawn Clement offers a luminous, deeply swinging homage to the singular vocalist/pianist, Blossom Dearie. Less a tribute than a tender correspondence across time, Clement inhabits the repertoire with wit and quiet daring amid the masterful accompaniment of bandmates John Clayton, Jeff Hamilton, and Steve Kovalcheck. Together they reimagine 15 of Dearie’s hits, including lush ballads like “Lies of Handsome Men” and “Once Upon a Summertime,” the cool swing of “Tout Doucement,” and the smartly snapping “It’s Love,” through Dawn’s inspired arrangements that balance swing with intimacy, sparkle and hush. Produced by Matt Wilson and recorded by Steve Genewick in Los Angeles, the album superbly captures not only the humor, heart, and harmonic sophistication that defined Dearie’s art, but Clement’s own compositional grace—music that surprises, haunts, and heals in equal measure.

Artist(s)

Dawn Clement (piano)

Pianist, vocalist, and composer Dawn Clement is a joyful and formidable force in the landscape of modern creative music. For over two decades, Clement has served as both a torchbearer of the jazz tradition and as a trailblazer in fresh sonic explorations. “In all this world of jazz, there are very few individual voices, no matter what the instrument, but Dawn has come up with a voice that’s unique...” says legendary jazz trombonist Julian Priester. Clement’s original music is an expansive collection that features her distinctive musical voice in a variety of genres, styles, and settings. Her six albums as a leader showcase her impressive range from master of the jazz piano trio style, to avant garde improviser, to an expressive...
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Pianist, vocalist, and composer Dawn Clement is a joyful and formidable force in the landscape of modern creative music. For over two decades, Clement has served as both a torchbearer of the jazz tradition and as a trailblazer in fresh sonic explorations. “In all this world of jazz, there are very few individual voices, no matter what the instrument, but Dawn has come up with a voice that’s unique...” says legendary jazz trombonist Julian Priester.
Clement’s original music is an expansive collection that features her distinctive musical voice in a variety of genres, styles, and settings. Her six albums as a leader showcase her impressive range from master of the jazz piano trio style, to avant garde improviser, to an expressive songwriter and vocalist effortlessly incorporating indie and alternative influences. Downbeat says, “The revelation is Dawn Clement’s piano, always ready with the lyricism or structure the moment needs.” Clement shines as a collaborator and is highly in demand as a touring and recording artist. She has previously performed with jazz luminaries including Jane Ira Bloom, Ron Miles, Matt Wilson, Rene Marie, and Julian Priester. Dawn recorded with säje on their GRAMMY-nominated debut album, and has toured with the ensemble in the U.S. and Japan. Clement has been busy recording of late with several exciting projects, including: trio with guitarist Steve Kovalcheck and bassist Jon Hamar (9/6/24), Esthesis Quartet with Bill Frisell (Spring 2025 *sunnyside), and a trio project with Buster Williams and Matt Wilson (Fall 2025). Integral in Clement’s relationship with music is her role as an educator and mentor. She currently serves as Associate Professor and Area Coordinator of the Jazz and American Improvised Music Department at Metropolitan State University of Denver. In addition, Clement is a sought-after guest artist and clinician for jazz festivals. Most recently Clement was appointed the Artistic Director of the Centrum Jazz Workshop, taking over for the legendary bassist John Clayton. Dawn holds a Bachelor of Music from Cornish College of the Arts and a Masters of Fine Arts in Music Composition from Vermont College of the Arts. Originally from the Pacific Northwest, she now lives in Denver, Colorado, and maintains strong ties to both the Seattle and Denver music communities. Dawn maintains a rigorous teaching and performing schedule while balancing the ever-fluctuating dance of parenting, composing, and supporting her local art scene.

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Steve Kovalcheck (guitar)

Guitarist and composer Steve Kovalcheck brings a distinctive voice to modern jazz, a sound rooted in the blues, rock, and country music of his Nashville upbringing and refined through decades of creative work. Now based in Colorado, he performs and records extensively across the United States and abroad, from The Hollywood Bowl to Dizzy’s Club Coca-Cola at Jazz at Lincoln Center to the Jazz Cruise, the Vail Jazz Party, and concert stages throughout Europe and Asia. His playing reflects a deep understanding of the jazz tradition while always carrying the soulful, earthy inflections of the blues, an element that remains at the heart of his music. Kovalcheck’s versatility, accompanimental approach, and expressive touch have made him a sought-after collaborator. He has...
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Guitarist and composer Steve Kovalcheck brings a distinctive voice to modern jazz, a sound rooted in the blues, rock, and country music of his Nashville upbringing and refined through decades of creative work. Now based in Colorado, he performs and records extensively across the United States and abroad, from The Hollywood Bowl to Dizzy’s Club Coca-Cola at Jazz at Lincoln Center to the Jazz Cruise, the Vail Jazz Party, and concert stages throughout Europe and Asia. His playing reflects a deep understanding of the jazz tradition while always carrying the soulful, earthy inflections of the blues, an element that remains at the heart of his music.
Kovalcheck’s versatility, accompanimental approach, and expressive touch have made him a sought-after collaborator. He has performed and recorded with a range of artists, including Jeff Hamilton, John Clayton, Pat Bianchi, Terrell Stafford, René Marie, Bobby Floyd, Lewis Nash, Danny Gottlieb, Chris Potter, Nicholas Payton, and Howard Levy, among many others. His long association with legendary drummer Jeff Hamilton spans numerous projects, including the Clayton-Hamilton Jazz Orchestra and the Jeff Hamilton Organ Trio. Outside of the jazz world, Kovalcheck has also worked with artists and producers such as Robinella and the C.C. String Band, Carrie Rodriguez, Tommy Sims, Charles “Wigg” Walker, Russ Titelman, and Don Williams, reflecting a musical background that bridges jazz, rock, country, funk, and bluegrass.
As a bandleader and composer, Kovalcheck continues to expand his creative output. His albums Ghost Orchid, Stomping Ground, and Nine Mile Hill showcase his blend of modern jazz language and roots-inspired writing. Forthcoming projects include a duo project with pianist and vocalist Dawn Clement as well as her Blossom Dearie tribute featuring Hamilton and bassist John Clayton. These projects reflect Kovalcheck’s ongoing exploration of blues, groove, and harmonic color, while honoring the many traditions that inform his sound.
In addition to his work as a performer and recording artist, Kovalcheck is the Professor of Jazz Guitar at the University of Northern Colorado, where he teaches jazz guitar and improvisation in the university’s internationally recognized jazz studies program.
Known for his warm, blues-inflected tone, melodic clarity, and strong rhythmic feel, Steve Kovalcheck continues to bridge the gap between tradition and innovation, bringing authenticity, soul, and a deep sense of swing to every note he plays.

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Composer(s)

George Gershwin

George Gershwin was an American composer, who is mostly known due to his combinations of classical and popular music genres. George Gershwin grew up in a poor neighbourhood in New York. His parents were Russian immigrants who had trouble making ends meet. They did, however, decide to purchase an old piano so Ira Gershwin could study to become a musician. Yet, it turned out not Ira, but his younger brother George showed remarkable talent. Ira applied himself to writing song lyrics and together the Gershwin brothers became absolute greats in the world of 20th century musicals. Nowadays, George's compositions are still relevant, as is evidenced by the many performances of his Rhapsody in Blue from 1924. But the best example is the ageless Summtertime,...
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George Gershwin was an American composer, who is mostly known due to his combinations of classical and popular music genres.

George Gershwin grew up in a poor neighbourhood in New York. His parents were Russian immigrants who had trouble making ends meet. They did, however, decide to purchase an old piano so Ira Gershwin could study to become a musician. Yet, it turned out not Ira, but his younger brother George showed remarkable talent. Ira applied himself to writing song lyrics and together the Gershwin brothers became absolute greats in the world of 20th century musicals. Nowadays, George's compositions are still relevant, as is evidenced by the many performances of his Rhapsody in Blue from 1924. But the best example is the ageless Summtertime, which has been covered a countless number of times by a countless number of artists.


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Leonard Bernstein

Leonard Bernstein was one of the most iconic American composers and conductors of the 20th century, and was among the first American musicians who gained worldwide recognition. He actually made his breakthrough as a conductor by chance, when he suddenly had to stand in for the ailing Bruno Walter for a concert by the New York Philharmonic in 1943. The concert, which was broadcast live on radio, received critical acclaim from the press. Bernstein would soon become a sought-after guest conductor. From 1958 till 1969, Bernstein was principal conductor of the New York Philharmonic, with which he performed amongst others the complete symphonies of Mahler, which sparked a renewed interest in the music of the Austrian composer in the United States. He...
more
Leonard Bernstein was one of the most iconic American composers and conductors of the 20th century, and was among the first American musicians who gained worldwide recognition.
He actually made his breakthrough as a conductor by chance, when he suddenly had to stand in for the ailing Bruno Walter for a concert by the New York Philharmonic in 1943. The concert, which was broadcast live on radio, received critical acclaim from the press. Bernstein would soon become a sought-after guest conductor.
From 1958 till 1969, Bernstein was principal conductor of the New York Philharmonic, with which he performed amongst others the complete symphonies of Mahler, which sparked a renewed interest in the music of the Austrian composer in the United States. He was also an advocate of the music of American composers, in particular that of his close friend Aaron Copland. Bernstein recorded nearly all of his orchestral works, and paid much attention to his music in his popular television series Young People’s Concerts, in which he introduced a young audience to classical music.
As a composer, Bernstein is primarily known for his accessible theatre works such as Wonderful Town, Candide and The West Side Story, which still is his most popular work. He also composed three symphonies and several shorter chamber works. In his music he fused elements of Jewish music, theatre music and jazz with those of composers like Copland, Stravinsky and Gershwin.

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Michel Legrand

Michel Legrand has made his fame and fortune from writing for films, but he has done significant work in jazz on an occasional basis. In 1957, he arranged a set of Dixieland and swing standards for a French orchestra (recorded on Philips), in 1958 he used three different all-star groups for the classic Legrand Jazz (with such sidemen as Miles Davis, John Coltrane, Phil Woods, Herbie Mann, Bill Evans, Ben Webster, Art Farmer, and others), in 1968 he recorded a strictly jazz set with a trio and Legrand has written for albums led by Stan Getz (1971), Sarah Vaughan (1972), and on several occasions, Phil Woods. Several of his songs (such as 'What Are You Doing the Rest of Your...
more
Michel Legrand has made his fame and fortune from writing for films, but he has done significant work in jazz on an occasional basis. In 1957, he arranged a set of Dixieland and swing standards for a French orchestra (recorded on Philips), in 1958 he used three different all-star groups for the classic Legrand Jazz (with such sidemen as Miles Davis, John Coltrane, Phil Woods, Herbie Mann, Bill Evans, Ben Webster, Art Farmer, and others), in 1968 he recorded a strictly jazz set with a trio and Legrand has written for albums led by Stan Getz (1971), Sarah Vaughan (1972), and on several occasions, Phil Woods. Several of his songs (such as "What Are You Doing the Rest of Your Life," "Watch What Happens," and "The Summer Knows") have been recorded many times by jazz musicians.

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Blossom Dearie

Born around 1925 in the little village of East Durham, in the Catskill Mountains of New York state, Blossom Margrethe Dearie discovered music at the earliest age, as she would always find someone’s laps to sit on at the family piano, and was very soon able to pick out songs from ear and memory. At age five, she started taking lessons, and kept on studying  classical music until her teens, when she switched to jazz.  Dearie started playing professionally in the late 1940’s, when she moved to New York City and performed with vocal groups such as Alvino Rey's Blue Reys, and Woody Herman's Blue Flames. In 1950, she began her solo career, by pairing piano with voice, and playing in...
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Born around 1925 in the little village of East Durham, in the Catskill Mountains of New York state, Blossom Margrethe Dearie discovered music at the earliest age, as she would always find someone’s laps to sit on at the family piano, and was very soon able to pick out songs from ear and memory. At age five, she started taking lessons, and kept on studying classical music until her teens, when she switched to jazz.

Dearie started playing professionally in the late 1940’s, when she moved to New York City and performed with vocal groups such as Alvino Rey's Blue Reys, and Woody Herman's Blue Flames. In 1950, she began her solo career, by pairing piano with voice, and playing in a little club in Greenwich Village. That is where she met Eddie Barclay, who convinced her to come to Paris. Blossom then recorded her first solo album on the Barclay label. She also formed the Blue Stars of France, with whom she gained a Billboard hit with the "Lullaby of Birdland", arranged by Michel Legrand in french. After returning to the U.S., she recorded six albums for Verve Records.

​In the 1960s, Blossom recorded an album for Capitol Records entitled "May I Come In", accompanied by an orchestra. She also recorded four albums for Fontana in England. During thoses years, Dearie played a lot in clubs, like the Village Vanguard, where she shared the bill with Miles Davis. In the 1970s, she started performing more in concerts rather than clubs, and even played at Carnegie Hall in 1973.

In 1974, Blossom Dearie became the first woman to own a independent record label in the United States : Daffodil Records. The first album released was “Blossom Dearie Sings” featuring music written entirely by herself. Until her last performance in early 2007, Blossom recorded over a dozen albums and played frequently in clubs in New York and London. She passed away in February of 2009. She was a remarkable jazz pianist, vocalist, and composer.

There were many highlights to her musical career: the concerts she gave in the Netherlands between 1968 and 1989 feature prominently among them. This CD is a faithful rendition, thanks especially to the remarkable audio quality. Dearie masterfully performed in all the instrumental formations, from solo shows to the great Metropole Orchestra. She sang repertoires of every kind, from film music – she brought a new dimension to “Raindrops Keep Falling on my Head” – to Joni Mitchell’s “Both Sides Now”, sensitively revisited. Not to forget a masterpiece whose music she composed, “Winchester in Apple Blossom Time”, with Marilyn Monroe-style boo-be-doops – two superb versions of which can be enjoyed here, as well as her other compositions, those mentioned, and “Bring All Your Love Along”, whose first recording, made in Laren, 1982, is featured here. Blossom, so aptly named, bids the audience adieu, and makes a graceful bow.


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